Which figure is depicted as one of the viewers in the Ecstasy of Saint Teresa?

The depiction of Cardinal Federigo Cornaro in "The Ecstasy of Saint Teresa" by Gian Lorenzo Bernini is significant because he is not only represented as one of the viewers but also as a patron of the artwork. This sculpture, created around 1652, is set in the Cornaro Chapel in Santa Maria della Vittoria in Rome, which further emphasizes the cardinal's connection to the piece. He is shown in an ornate frame, observing the divine vision experienced by Saint Teresa of Ávila. Bernini designed the scene to create an immersive experience, inviting viewers—both those depicted and the actual audience—to share in the transcendent moment that captures Teresa's spiritual ecstasy.

The other individuals listed do not have a representation in this specific artwork. Pope Urban VIII, for instance, was a contemporary of Bernini and a significant patron of the arts but is not depicted in this particular context. Michelangelo, while a pivotal figure in the history of art, was not associated with this work, as he had passed away long before its creation. Caravaggio was known for his dramatic use of light and realism, which are stylistically distinct from Bernini's baroque approach represented in the Ecstasy of Saint Teresa. Therefore, the inclusion of